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    All content on Kinky Clips is Role Playing Fantasy only.
    All content is consensual and is acted out by models of legal age.
    Random Clips more
     DONT SLEEP WITH MY HUSBAND
    16 minutes
      DONT SLEEP WITH MY HUSBAND - DON’T SLEEP WITH MY HUSBAND

 

CUSTOM VIDEO

Starring: Nancy, Annabelle, Judy, Kit

MUST SEE IF YOU LIKE WELL-DONE SHOOTING WITH BLOOD

VERY GOOD ACTING!

One day a girl knew her friend slept with her husband. She took a gun and cruely shot her ex-friend to both tits! Shock reaction and begging for life is great!

Before death she called her another friend to save her…

When another girl ran to the place, the girl was dead and her killer was near. The girl tried to shoot her but she was bad shooter and  didn’t know how to use gun. The murder just laughted at her and shot her to the heart…

But the girl didn’t die immidiatly. She was still alive and shot another. Missed! The evil girl just laughted at her another one. She was sure she had a deal with looser and decided to play. «Try to shoot one more time – your last chance!» But it was her fatal mistake.  Just imagine her shock and surprise when the dying girl shot her right to the heart in a  second  before death. She didn’t believe that her death was so stupid.

 

Fetish elements:

Shooting, shooting to tits, shooting to nipples, shock reactions, great wounds, bodypile, Necro stripping

 

If you kike this video please check out

 

STRANGE DAY

SRANGE DAY 2

ONE KILLER FOR TWO SISTERS

BODYGUARD  PANTYHOSE KILLERS 2
    26 minutes
      PANTYHOSE KILLERS 2 - PANTYHOSE KILLERS 2
CUSTOM FILM (Best Rate)

A continuation of art-house nightmares about terrible women, dressed in grotesque tights, who mercilessly kill entire families. The use of dolls as victims gives the film a touch of strangeness and a special vibe of horror and absurdity.
This time, the inimitable Mira Green and the magnificent Demonica play the role of killers.
IF YOU LIKE THE MOVIE PLEASE CHECK OUT
PANTYHOSE KILLER
POOR AND UNHAPPY
     DEATH SCENES
    18 minutes
      DEATH SCENES - DEATH SCENES
Starring: Nata and Hass
Custom Clip 
17 minutes 
10 scenes
20 deaths 
Exotic, grotesque poses, expressive reactions, deadly surprised emotions, agonies, bodypiles, bottom up bodypiles and ultra sexy poses
Stabbings and shootings!
Catfightings to the death!
GREAT ACTING

NEW LEVEL OF SHOT DEAD COCTAILES

FULL HD, Great CameraWork, Best DarkRoom traditions

100% death fetish clip!

Scenes detailed descriptions: 
Scene 1. 

Nata is holding a gun, her legs spread apart. Nata aims to shoot (at an off-screen, unseen enemy), but she is shot in her lower belly, making her gasp with her eyes and mouth wide open and she puts her hand where she was shot. She stumbles and then falls to the floor into this pose. Pictures show facial expression when shot, body reaction, and death pose.
  
Hass comes in and gets on her knees beside Nata and checks her, Hass\\\'s legs are spread apart while on her knees. Hass grabs the gun and aims, but she is also shot in her lower belly, making her gasp as her head and shoulder fling back (her face looking at the ceiling), her back curved and ass sticking back a little and she puts her hand on her lower belly. The camera shows a good profile view of Hass.  Hass then falls forward over top of Nata (do not cover Nata\\\'s crotch). Hass has her ass in the air and her legs spread apart.


Scene 2. 

Nata is aiming (similar to first sample picture) but gets shot in her belly and reacts (second sample picture) and she falls to the floor in this death pose (third sample picture) , with one knee forward propping up her hips and her legs still spread apart.
  

Hass is aiming and also gets shot in her lower belly.  Hass falls to the ground and begins to writhe, squirm and roll around slowly as she has her hand on her lower belly (keep hand on belly entire time).  While Hass is writhing, she rolls over face-down, lifting her ass up into the air (camera shows nice view of her ass), then rolls completely over onto her side and back. Hass moans and makes sexy sounds (moans and other sexy sounds) as she writhes, arching her back up, her legs spreading apart often (camera shows between her legs and good views of her belly, hips, and ass while she is writhing.
After writhing, squirming, and rolling over for about 15 or 20 seconds, Hass gasps very loudly with her eyes and mouth open wide as her back arches very high and her legs spread (similar to photo below), then after a pause for 2 or 3 seconds, she slowly exhales with a soft, sexy moan as her body slowly relaxes (not sudden drop), as her eyes roll back and she goes limp, her leg falls to one side into her death pose and has a good death stare. 


Scene 3. 

Hass is shot in her lower belly, making her react with a sexy squeal as her body reacts (ass and hips thrust back, her back arched) as she puts her hand on her lower belly.  She is shot again under her breast, making her body react (similar to first photo). She stumbles and then falls into this pose (second photo):
 

Hass has one final gasp, her hips lifting into the air a little, then she exhales with a sexy, soft sigh and relaxes her body, her hips sink back down.  The camera shows 3 good camera angles, one showing between her legs and her ass, from above her, and also of her face and ass in the background.
Nata walks in and gets on her knees beside Hass.  Nata checks on her, then slowly rolls Hass over (pulling on her hips). Camera shows Hass\\\'s hips and ass as she is rolled over, her legs still open.  These sample pictures show good camera angle of Hass, Hass being rolled over, and the new pose for Hass:
  

Nata is then shot in her lower belly, making her react, then she falls over top of Hass 
Scene 4. 

Hass and Nata are holding fake knives, and they get locked together (holding each other\\\'s wrists), and push up against each other, legs spread apart. Camera shows profile view and also behind as they struggle with knives.  Then the girls fall to their knees, similar to these photos:

Nata forces her knife between them, the knife low to the ground, both girls have their back curved and ass sticking out some, with legs apart.  Nata slowly overpowers Hass, forcing her knife upward, closer to Hass\\\'s belly, then she thrusts upward, stabbing Hass below her bellybutton, making her gasp and squeal as her back curves down more (hips thrust upward).  When Nata pulls the knife out, Hass exhales with a moan and goes limp, slumping onto Nata.  Nata holds her up for a few seconds, then lets Hass fall backward, her legs tucked under, into the pose in the sample picture.  One sample photo shows a good body reaction from an upward stab to her lower belly, her back curved down some, her ass out, and legs spread.  The second photo is the death pose after falling back.
 
Nata then rolls Hass over into this pose and several camera angles are shown, including between her legs and good view of her ass.
 
Nata gets on one knee in a victory pose over top of Hass (see sample photo).  Nata does not know Hass is still alive and has a knife.  Hass surprises Nata with a stab to her lower belly, making her gasp.  After reacting to the stab, Nata slumps to the side of Hass, with her leg over Hass.  See sample photos for victory pose as well as death pose (body pile where their ass is still showing):


Several camera angles are shown, showing good ass views and between their legs.

Scene 5. 

Nata shoots Hass in her lower belly, Hass puts her hands on her belly, and then Hass falls slowly to her knees, her legs spread (similar to first photo).  Then Hass\\\'s eyes go cross (cross-eyed, similar to second photo), and then she slumps forward, her hips and ass high in the air, her legs spread, similar to the third photo (her legs spread, back curved down):
  
Camera shows good angles, including between her legs, camera low to ground and looking up between legs, camera angle from over top of her looking down, profile view, and of face with ass in background (about 10 seconds).

Nata walks to Hass and nudges her hips , which very slowly makes Hass\\\'s hips sink down to the ground (camera from behind showing her hips sink down).  Then Nata uses her foot to slowly roll over Hass into a new pose. Pictures show camera angle after her hips sink down to the ground, being rolled over, and the new death pose for Hass.
  
Nata is then shot by off-screen, unseen enemy and she falls.

Scene 6. 

Hass and B are standing near a couch (or bed).  Hass is shot in her lower belly, making her react with a loud gasp (eyes and mouth wide open), then a sexy moan, then she falls forward (over the edge of the couch, or off the bed), so her upper body is off the end, her face and shoulders on the ground, but her hips and ass are propped up in the air and her legs spread (see sample pose pictures).  Camera angle showing between her legs, from above, at floow level showing her face with her ass and hips in the background, similar to these deaht poses and camera angles:
    
Nata is then shot, making her react in a similar way as Hass. Nata falls back and is either draped back over the couch arm, or draped off the edge of the bed, her legs spread far apart, her back arched over the edge. One leg can be propped up on back of couch or someting else.  Both Hass and Nata are close together, but not covering each other.  See these sample pictures for Nata, either one will work.  Both girls should have a nice death stare.


Scene 7. 

Nata is holding a knife and Hass walks in holding a gun.  Hass shoots Nata in her lower belly, making her moan and put her hand on her belly, then she falls to the ground on her back and is limp.  Nata is still holding the knife.  Hass does not know Nata is still alive.  Hass walks over and sits on Nata, similar to these pictures:

Nata is still holding her knife, she wakes up without Hass knowing.  Nata reaches around and stabs Hass in her lower belly (or in her side), making Hass react with a gasp, her back curved, her face looking toward ceiling, similar to this pose:

When Nata pulls the knife out, Hass exhales with a sexy moan and goes limp, slumping forward, her legs still straddling Nata.  Hass\\\'s ass still propped up into the air.  After camera gets several good camera angles, including between her legs and also floor level showing her ass and hips in the background, then Nata sits up, similar to these photos:     
To make sure she is dead, Nata stabs Hass in her lower back, making Hass softly gasp and lift her hips and ass up into the air a little, then exhale with a soft sexy moan as her eyes go cross and she dies. Nata then gently rubs her hands down Hass\\\'s body, and then fondles her ass some.  Then Nata very slowly rolls Hass off to the side into a new death pose with legs spread apart far and knee bent, similar to this pose:

Nata then holds her lower belly, falls back to the floor, and begins to write and roll around, her legs spreading apart, arching her back up, rolling on her side and twisting, rolling over and lifting ass and hips into the air, similar to these sample pictures:
     
Then, Nata suddenly gasps very loud and lifts her entire body up, her legs spread.  After a pause for a few seconds, she slowly exhales with a soft sexy moan and relaxes her body down as her eyes roll back (not a sudden drop or plop to the floor). 
 

Scene 8. 

Both girls are on their knees holding knives.  They get locked together, pushing against each other, then they fall over to the floor and begin rolling around, one girl on top, then the other, and sometimes both on their side, their legs intertwined.  These photos show the action:

   
Hass finally gets the advantage, she gets to her knees, Nata still on the floor, her legs spread apart.  Hass gets her knife free and with Nata\\\'s legs spread far apart, she stabs her below her bellybutton, making her gasp and arch her back up, her legs still spread apart.  Sample photos show Hass on her knees, Nata has legs spread apart, and her reaction to being stabbed:
When Hass pulls the knife out, Nata exhales with a sexy moan and her eyes roll back and she goes limp.  Hass gets beside her (opposite side as camera) and runs her knife across her body while camera shows good view of her belly and between her legs.  Hass does not know that Nata is still alive.  Hass gets on top of Nata straddling her (similar to first photo), and leaning forward so her face is close to Nata, similar to second photo (talking trash to her), Hass\\\'s ass is up in the air, her back curved downward.
Hass does not know Nata is still holding a knife.  Nata is playing dead, and without Hass knowing, she sneaks a knife underneath Hass.  Nata surprises Hass with an upward stab into her lower belly (below her bellybutton), making her gasp as her back curves downward more, her eyes and mouth wide open (camera must show her body when stabbed).  Camera shows view of her face with ass in background, a good profile view (showing knife in her belly), and a good angle from behind, showing her ass and up close between her legs.  After the camera views, Nata puts her other hand (opposite side of camera) on Hass\\\'s lower back, then pulls her downward onto the knife more, making Hass gasp and moan in a sexy way, then she exhales and  her eyes go cross and her tongue sticks out as she goes limp, slumping forward over top of Nata.  Hass\\\'s ass in the air.  Sample photos show facial reactions for Hass and her death pose on top of Nata.
Scene 9. 
Hass is standing guard, her legs spread apart.  Nata is holding a knife and sneaks up from behind.  Nata puts one arm around Hass\\\'s neck, then reaches around with the knife and stabs her below her bellybutton, making her gasp and arch her back, her ass pressing into Nata. Sample pictures show good pose while standing guard and sneak frorm behind, arm around neck and curving back, and good sample picture of lower belly stab and body reaction. The fourth sample picture shows a great camera angle looking up between her legs before she slides down and while she is sliding.  Other good camera angles are from the front, and also a profile view with the knife in her belly.
Hass moans, puts her hand on her wound, then Nata pulls the knife out, which makes Hass moan.  Hass then slowly slides down to her knees, her legs spread apart.  Nata then gets on her knees behind Hass.  Nata reaches around Hass again and stabs her in her lower belly again, with a similar reaction to this sample picture:
After Hass reacts to the second belly stab, her legs begin to spread apart as she slides down to closer to the ground. Nata then slowly pulls Hass back on top of her.  Nata stabs her in the bellybutton, making Hass gasp as her back arches upward, legs spread, then after a pause, she slowly exhales with a sexy sound and goes limp.  Sample pictures show Hass with legs spread and a great camera angle between her legs, and the final belly stab and reaction.
Nata then fondles Hass for a few seconds while camera shows between her legs and another good body view.  Then Nata slowly rolls Hass into a new death pose (sample pictures):
Nata is turned on.  She gets on all fours over top of Hass (who is dead), Nata\\\'s legs are spread apart.  Nata puts the knife in Hass\\\'s limp hand. Nata moves the knife up and down her body, then she stabs herself below her bellybutton (while Hass\\\'s hands are on the knife), making Nata react with a sexy moan and a little sensation of pain as her back curves downward. Camera shows view of her face with ass in background, a profile view, and a view from behind (showing ass and between legs).  Nata then pulls the knife out with a sexy moan. Nata is very turned on.  She then stabs herself again in her belly, making her gasp with eyes and mouth wide open, then she has a pleasureful look. She pulls the knife out and her eyes roll back as she exhales with a soft sexy moan and goes limp, slumping forward over the top of Hass.  Nata\\\'s ass is in the air, her legs spread (Nata should not cover Hass\\\'s crotch).
Scene 10. 
Hass and B have knives and get locked together.  Hass pushes Nata back over the couch cushion, Nata\\\'s back is arched over the cushion and her legs are spread far apart.  Hass is between her legs (there is a gap between them so camera can see Nata\\\'s belly and between her legs).  They push up onto the couch even more and Nata is over the couch arm, her legs spread apart, and Girl is is over top of her.  Nata\\\'s legs are spread apart, one leg on the back of the couch.  Sample pictures show pushing over couch, and up over couch arm while fighting with knives:
Nata drops her knife, and Hass pushes over the couch arm.  Hass then stabs Nata below her bellybutton, making her gasp as her back curves over the couch arm even more.  Hass pulls the knife out, making Nata moan.  Hass moves back (not blocking camera view) while Nata holds her belly and writhes, her back still curved over the couch arm, her legs spread.  Nata twists, lifts her body up, lifts her legs as she writhes.  Sample shows back arched over couch arm and also writhing, lifting legs, lifting body up.
Hass then gets near Nata\\\'s face and moves the knife up and down her body, then stabs her in the bottom cleavage of her breast, making Nata gasp loudly as she arches her back high and lifts her body up, one leg on the back of the couch as she lifts up, then when Hass pulls the knife out Nata\\\'s eyes instantly go cross as she exhales with a sexy sound and her body slowly sinks back down (not sudden drop) and she is left draped backward over the couch arm, one leg on the back of the couch, legs open wide. Sample pictures show arching back and lifting up when stabbed in breast, and several samples of death poses draped back, one leg up.
Camera shows 8 seconds of showing her dead body, with a good view between her legs, from above, and another showing her face with her eyes crossed.
Hass then pulls and pushes Nata off the couch, and Nata slowly rolls over and falls to the floor, one leg still up on the couch (see sample picture of new death pose).  Hass then puts one leg up on the couch into a victory pose (see sample picture).  Then Hass is shot in her lower belly by an off-screen, unseen person and Hass reacts with a gasp (eyes and mouth wide open) as her back curves.  Hass falls forward over the couch cushion, her legs spread apart, her ass in the air.  She rolls over with her back curved over the couch arm, legs spread, as she writhes, lifting leg, turning from side to side (showing views of her ass), her hips and legs are off the edge.  Hass is shot again in her lower belly, making her react, back curving over the cushion.  She then turns over, her legs spread far apart, ass in the air.  She wants to end it, so she grabs the knife on the couch cushion.  With her back curved downward, she stabs herself in the bottom cleavage of her breast, making her gasp, then her eyes quickly go crossed and tongue out as she exhales with a sexy sigh and goes limp, her ass still in the air.  Sample pictures show the new death pose for Nata, Hass\\\'s victory pose, Hass falling over the couch arm, Hass writhing, then final death pose and facial expression for Hass.


IF YOU LIKE THIS CLIP PLEASE CHECK OUT

SHORT SHORTS

And check out
9 stabbing of Nata  BLOODY MURDER IN OFFICE
    15 minutes
      BLOODY MURDER IN OFFICE - Plot
Alex and two other hit men (Max and another guy) are assigned a hit on a prominent upcoming young politician (played by Annabelle). Alex and company barge into Annabelle’s office, dragging her secretary (played by Vika) into the office. Both are killed; Vika brutally shot by Alex with a full-auto machine gun, and Annabelle getting strangled and molested by Max and the other guy. Alex eventually finishes off Annabelle with an impulsive burst of bullets to the chest. Topless nudity will be required on the parts of both Annabelle and Vika. Annabelle will be subjected to molestation in the form of breast fondling while she is being strangled.
     THE LAST NIGHT
    18 minutes
      THE LAST NIGHT - THE LAST NIGHT
CUSTOM FILM
Cast: Luiza and Max
Fetish Elements
Home Alone, Stalking, Choking, BodyPlay
PLOT
A strange maniac is stalking home alone girl in her cottage and after some sexy situations he attacks her and chokes to her death enhoying beauifull body.
IF YOU LIKE THIS FILM PLEASE CHECK OUT
HELPER  ARCHER 15
    32 minutes
      ARCHER 15 - ARCHER 15
Cast: Mira Green, Li, Polina Wood, Max 
CUSTOM 


«Crime does not pay.  Li and Mira make the additional mistake of asking the Archer to join them in their plot.   Julia decides to renegotiate her deal with him.  Can you guess the outcome that awaits our three women.
 
Exceptionally well done work!  I truly enjoy the performances of Li, Mira and Julia who think they can outfox our friend and his obsession.    Unbelievably passionate performances as our heroines meet their end at his hands.  
 
The amount of effort you put in bringing to life these ideas on my behalf is the reason I come back with more stories for you.  The only way to make my projects any better is for me to write you better scripts.  Thank you Darkrooms!!!
 
Customer’s Review»

FETISH ELEMENTS

	Actor #1 enters the scene with his hands up in the air.  Actress #3 has a gun out and is pointing it at Actor #1’s back
 	Actress #3 sees the large duffle bag full of money.  She walks over and looks at the bag.  She picks it up and puts it down.
 	Actress #1 is nude and wearing boots and her hands are tied above her head.   Their hands are with ropes and the ropes are attached to a chain and hook.  (Same as what was done in Syndicate 7)
 	She is tied up by the wall.  Actress #2 is nude and her hands are tied above her head.  Actress #3 is finishing tying up Actress #2.
 	Actor #1 now picks up an arrow walks over to where he plans to shoot Actress #2 (she is in center) and loads the arrow.  Actress #2 continues to struggle franticly against her ropes energetically pulling away from the post and falling back to post her hands are pulling from back to front on those ropes in an attempt to free herself .  The Actor aims his bow at Actress #2’s belly button.  (Please take a camera view as suggested with picture #1 just an arrow and a view of the camera and victim and Actress #2 struggling against the ropes in same view.)  Return to normal camera view of Actress #2 struggling with her hands pulling on rope and her body leaning away from post.  Show Actor #1 shoot the arrow (We see a POV arrow approach Actress #2) and the sound of the arrow hitting Actress #2 in her belly button.  Actress #2 lets out a loud moan when hit.  Actress #2 moves her head to look down at the end of the shaft.  Actress #2 moves her head slowly down and looks down her body further to look at her belly button.  Actress #2 moves her head back up and looks at the archer.  Actress #2 arches her back and leans back against the wall.  Show a number of camera views of Actress #2 after being shot.   Slowly zoom in on the arrow and pan down to her feet.  There is now a blood trail running down her belly there is blood on their inner thighs and a puddle on the ground. 
Show a camera view from above actress #2 looking down at the arrow (Just like the view in Archer 9)
Actress #2 is twisting to her left, then back to center and then to the right.  Pan up and down on her body.  
Actress #1 & 3 turn and look at Actress #2.  Actress #3 moves her head and looks down at her belly button.  Actress #1 looks back at Actress #2.  Actress #2 is now shown leaning against post.  Her hands above her head are slowly (about 1/3 of the energy before she was shot) and without much energy pulling on the ropes above her head back and forward trying desperately to free herself.  Actress #2 keeps twisting her body from side to side.  She has less energy because she has been shot with an arrow.
Actress #1 continues to struggle against the ropes pulling away from post and falling back to post.  Actor #1 aims his bow at Actress #1’s belly button.  (Please take a camera view from behind the archer capturing him aiming his bow at Actress #1’s belly button and Actress #1 struggling in the same view.)  Return to normal camera view of Actress #1 struggling with her hands pulling on rope and her body leaning away from post.  Show Actor #1 shooting the arrow (A POV arrow heads towards Actress #1) and the sound of the arrow hitting its target.  Then show the arrow sticking out of Actress #1’s belly button.  Actress #1 lets out a loud moan when hit.  Actress#1 slowly moves her head to look down at the end of the arrow shaft.  Actress #1 moves her head down some more and looks down her body to look at her belly button. 
Show a camera view from above Actress #1 looking down at the arrow.
Actress #1 moves her head back up and looks at the Archer.  Actress #1 arches her back and leans back against the wall.  Camera pans back and shows Actress #2 again.
Actresses 1 & 2 each have an arrow in their belly button.   Camera zooms in on Actress #1’s arrow, there is now a blood trail running down her belly and on her inner thighs camera pans down to the puddle on the ground between her legs.  
Have Actress 1 & 2 are now both twisting their bodies either to the left then center than to the right.  They also slowly reach for their head with their hands in addition to still try to pull free from the ropes.
Actor #1 now picks up a third arrow walks over to where he plans to shoot Actress #3 and loads the arrow.  Actress #3 continues to struggle franticly against her ropes energetically pulling away from the post and falling back to post her hands are pulling from back to front on those ropes in an attempt to free herself .  Actor #1  aims his bow at Actress #3’s belly button.  (Please take a camera view behind the archer capturing his aiming his bow at Actress #3’s belly button and Actress #3 struggling against the ropes in same view.)  Return to normal camera view of Actress #3 struggling with her hands pulling on rope and her body leaning away from post.  Show Actor #1 shoot the arrow (A POV arrow heads toward Actress #3) and the sound of the arrow hitting Actress #3 in her belly button.  Actress #3 lets out a loud moan when hit.  Actress #3 moves her head to look down at the end of the shaft.  Actress #3 moves her head slowly down and looks down her body further to look at her belly button.  Actress #3 moves her head back up and looks at the archer.  Actress #3 looks towards the other two women.  Actress #3 arches her back and leans back.  Camera zooms in on arrow.  Camera slowly pans to the ground where there is a puddle of blood on the floor between her legs.
Show a camera view from above actress #3 looking down at the arrow.
Show a number of camera views of Actress #3 after being shot.  Pan up and down on her body.   Actress #3 is now twisting her body form left to right.
Go back with camera and show Female Actress #1 & 2 again.  Pan and show all three actresses.
Show Actress #3 slowly stops struggling.
Actor #1  than walks over to Actress #3, he reaches for the rope and unties her hands.  When her hands become free, He places her on the ground in the body pile he is making.
Actor #1  unties Actress #1 and Actress #2 and places them on the ground in the body pile he is making.
Camera slowly shows Actress #1, Actress #2 and Actress #3.
Actress #3 opens her eyes.  She let’s out a moan.   She arches her back (Same as Sally in Archer 11 she was awesome”.
She reaches for the arrow in her belly with her left hand.  She bends forward and looks down her body at the arrow in her belly. 
There is a gun on the floor. 
Actress #3 slowly crawls away from the body pile.  She is crawling towards the gun on the floor.  She reaches the gun picks it up.  She aims it at Actor #1. 
Actress #3 drops the gun.  She rolls on to her back.  She moans again and reacts.  She slowly closes her eyes.  
Camera pans all of the 3 women’s who are now lying on the ground in a body pile slowly.  Please take a few shots of all 3 women one by one as a close ups. 
All three Actress’s have been shot by arrows and are on the floor in a body pile.   Actress #1 arms are at her side and her legs and feet are straight and she has an arrow in her belly button.  Actress #2 arms are at her side and her legs and feet are straight and she has an arrow in her belly button.  Actress #3 arms are at her side and her legs and feet are straight and she has an arrow in her belly button there is a cell phone near her hand.
Camera pans all of the 3 women’s who are now lying on the ground in a body pile slowly.  Please take a few shots of all 3 women one by one as a close ups.  
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
THE ARCHER – ARCHER 2-14
     FORBIDDEN FILM SLASHER 2
    30 minutes
      FORBIDDEN FILM SLASHER 2 - FORBIDDEN FILMS SLASHER 2
30 MINUTES LONG
CAST: Polina Wood, Max
CUSTOM
«All I can say is, unbelievable! The acting by both Actors was incredible. The camera angles and views were amazing. The focus on the actress’s stomach were perfect. My gratitude is without measure  to the production staff and actors. I don’t think there is a style of horror film that Darkrooms couldn’t  make! Absolutely amazing! Thank you for producing the film!!!!!!!»

FETISH ELEMENTS
Knocked Out, Unconscious, Surgery, Operation, Guts, Blood
 
The victim is doing some yoga in her apartment living room. She’s wearing low cut black yoga pants and a sports bra. She has an exercise mat. She does some yoga poses. Camera views of her body. While she’s doing the yoga. The killer is spying on her through the window. He watches her as she does the yoga. She gets done with the poses and lays down on her back on the mat. She stretches her arms above her head to relax. The camera pans over her body. She does some deep breathing.  We see her belly rise and fall. Max is still watching her. She gets up and goes to get a shower.  We  see her get undressed and get in the shower. She leaves her makeup on and doesn’t wet her hair. She rubs soapy water over her stomach. While she’s showering, the killer sneaks in the apartment. We see his shadow behind her in the shower curtain. She doesn’t notice. He sneaks in her bed room and hides behind the bedroom door to wait for her. She gets out drys off and puts on some sexy low cut panties and a very tight white tank top that shows some of her belly. She goes into the bedroom, ass shots as she walks. She lays down on the bed and stretches out and drifts off to sleep. The camera slowly pans over her body as she sleeps. Max creeps over to the bed. He has a knife in his hand. He uses the blade to gently lift  her tank top up. The he runs the tip of the blade down her belly and around her navel. She moves a little bit doesn’t wake up. He puts the knife away. He climbs on the bed, careful not to wake her. He puts a cloth over her mouth to knock her out. She struggles against him violently but goes unconscious. He runs his hand over her stomach as she’s lays unconscious.  He then picks her up and cradle carries her out of the room.

Next Scene
He’s taken her to a creepy dungeon like the set in the first movie if possible or something like that. He lays her  body across a padded stool or short table. It’s causes her stomach to be stretched upward. (See attached example photo). She still has her panties and shirt on. He takes her short completely off. She’s just wearing her panties. He ties her hands and legs and gags her. Camera views of her stomach rising and falling. He’s going to torture her stomach some before he disembowels her. He pours water on her stomach. He rubs the water all over her stomach.  He’s going to electrocute her stomach and the water makes a good conductor of the electricity. Once her stomach is wet he attaches two electrode wires to her belly on each side of her navel. She’s still unconscious. He has the wires attached to an electrical box with a switch. He flips the switch and her body convulse and shake from the electricity going over her body. He shocks her for about 15 seconds. He shocks her three times. After the third shock Judi goes unconscious again  He takes the electrodes off and unties her. It’s time for the finish her. He lays her on the table. Takes her panties off, she’s fully naked now. He ties her in the usual position. If you could use the device for her arms used in the previous film. He then gets her ready for the surgery. He takes a marker or makeup pen and makes a dotted lines on her stomach for her scalpel to follow. He makes a dotted line down from her sternum to her lower belly. He then makes a line across her lower belly from hip bone to hip bone and then across her upper belly below her ribs. Closeup camera views of him marking her body for the surgery. (See photo of incision locations below)He puts his gear on. She starts to wake up some but she’s still weak from the electrocution. She asks him what he’s going to do? He tells her that he makes snuff films. He shows her a video of he’s lost victim. He shows her a photo on his phone of Annabelles gutted body and tells her that she’s not the first. She fights against her restraints when she see the video of other girls dead body on the table. You guys use your creativity for this scene. You are the experts. He tells her enough talk it’s time to get started. He tells her he’s going to cut open her belly and disembowel her as he runs his hand down her stomach in the usual way. Her stomach is rising and falling rapidly as she panics. He gets his gear on and grabs the scalpel to start. The one used in the last film was super realistic. He starts with the lower belly incision, then he makes the cut across her upper belly. Finally he slowly pulls the scalpel down the middle of her stomach. The film angle used for Annabelles death in the last film were amazing very realistic. Views as it cuts her navel. Once he’s done with the cuts he proceeds to slowly disembowel her body. She squirms in agony groaning some as he guts her. She finally dies. He takes some scissors and cut her guts away like in the last film. As in the last film he cleans her body and closes up the her belly. Finally he takes some photos of her dead body for his collection. The camera pans over her body.
The end.

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FORBIDDEN FILM SLASHER 
50 SHADES OF BLOOD
CHEATING GUTS
TENDER MEAT 3  ASSASSIN DESTROY
    15 minutes
      ASSASSIN DESTROY - ASSASSIN DESTROY
Custom 
«Got it, I absolutely love it. Thank you guys so much. »
Customer’s Review 

Script:  
Background: Judi is a sexy assassin. She and her partner just completed a killing mission and came back. 


 
Scene 1: Judi and the male actor came into the room, sat down at a table, and started drinking. Then they started talking about their mission. Judi says:” after I shot her, she struggled like a fish on the ground. It’s so embarrassing.” The male actor says, “that is what a bullet would do.” Judi takes a spare clip for the handgun out and unloads a bullet. She looks at the bullet and says, “I do not understand how such a small bullet could do that. If I am ever shot, I definitely will not die so miserably.” Judi then invites her partner to drink alcohol while saying, “anyway, we completed another mission and need to celebrate it. Here is to our 12 years of partnership.” They both drank the alcohol.  
 
Scene 2: Judi’s partner tells her that he is in love with her from working with her and wants to have a relationship with her and leave the business. Judi is surprised and disgusted, “seriously? We are just partners; I would never have a relationship with you outside of work. You are ugly, and I would never date someone like you.” This line makes her partner mad. He stands up and says, “how dare you to say that.” 
 
Scene 3: He pushes Judi to the ground, and one hand touches her pussy while the other hand strangles her neck. Judi shouts,” what are you doing?” while trying to fight back. After some struggle, Judi pushes him off and stands up. She then takes out her gun and runs behind some structure in the room as a cover. Her partner also stands up and runs behind a cover. Then they started shooting each out.  
 
Scene 4: After their guns are empty, Judi stands up, takes a knife, and walks toward him. “I always bring a knife as my backup, and I know you do not. You are going to die for violating me.” Her partner stands up and laughs, “but I do bring extra ammo.” He then loads a new magazine in the gun and shoots her four times (scattered shots) on her chest (realistic bullet hole), and she is shocked and looks at her wounds and drops her knife. She says with a faint voice,” so this is what being shot feels like.” She then starts coughing blood (a lot of blood-emphasize processes). Then she kneels (both knees), loses consciousness, and falls to her back with legs split open (embarrassing position). (Similar to Robber’s shootout) 
 
Scene 5: Her partner approaches her and shoots her two more times on the upper belly area (realistic bullet hole). The pain wakes her up. Judi wants to say something but can’t speak, and blood oozes out of her mouth, and she continues to cough blood (emphasize process). Her body then started convulsing as she struggles on the ground due to the agonizing pain.  Her legs also straighten out but still split open, revealing her underwear. He mimics her, saying with contempt, “If I am ever shot, I definitely will not die so miserably.”, then he says to her,” you are like fish on the chopping board, and I can do whatever I want to you now.” He uses her knife to cut open her blouse/shirt and bra, revealing her breast and belly with realistic bullet holes. He touches her breast and masturbates her pussy (no need to show). Judi still convulses on the ground and stares at him with hate, but she can’t do anything. He says,” what a pity, such a nice piece of meat is going to waste.” He then touches her bloody lips and says,” those lips are so beautiful, and I have always wanted to kiss them.” Then he bends down and kisses her lip. (If possible). After kissing, Judi pukes a mouthful of blood out and tells him, “Go to hell.” She then struggles to breathe and stick her tongue out (some facial focus on this).  He laughs at her and stands up, and tells her, “It’s time to go.” Then he shoots her two times on the forehead and one time on the right cheek. (Realistic Bullet hole). Brain matter splatters on the ground, and Judi convulses and twitches more intensely like having an orgasm and then drops dead in a sexy yet embarrassing pose with legs split open and mouth slightly open, revealing her tongue, also death stares. Her finger still twitches a few more times. Her partner then leaves.  
 
 
Scene 6: A few days later, her partner returns to the scene. He saw the corpse with realistic corpse makeup and touches her breast and pussy again. Then she caresses her face and says, “I miss you, and I really hope that day did not turn out the way it is. “Then he tries to close her eyes, but no matter what he tries, the eyes stay open. He then left.  

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WITNESS PROTECTION 2
     Angelina Vs Arua Shot Dead Cocktail
    11 minutes
      Angelina Vs Arua Shot Dead Cocktail - Angelina & arya shot dead cocktail
angelina and anna classic shot-dead cocktail set.

***** are shot many times in many different situations in different locations. New weapon. New style. New clothes.

fetish elements: shooting, death stares, black stockings  BATHER
    19 minutes
      BATHER - BATHER
Starring: Hass, Angelina, Mary, Alex
NEW SEASON OF CRIME HOUSE AND DARKROOMS PRODUCTION IS OPENED! NEW ACTORS, ACTRESSES, MODELS, CAMERAMEN,  LOCATIONS AND GENRES ARE GETTING STARTED!

Contains:  
3 nude  chokings
Body carryings 
Foot fetishes 
Beautiful outside nude bodypile 

Plot
3 girls have a rest in a countryside. They are in sauna and all they want is bath-service. But what to do if the bather is a maniac? He attacks Mary in the sauna but her friends even don’t try to help her and run away. He chokes poor girl and goes to the hunt for Hass and Angelina. He finds Hass in the garden and chokes her too. The last his victim is Angelina choked nude in the table. 
He carries three dead bodies to the garden. He seats near bodypile thinking about life and death!
     UNEASY BUSINESS
    7 minutes
      UNEASY BUSINESS - Nata is in a room dressed in the same outfit she wore in \\\"Equal Fights\\\", the one where she is sat at the windowsill.
 she has a gun ir her hand and she has a flash drive hanging to her neck, the flash drive is resting between her   breasts.
She stops where a computer is and taking out the flash drive from her neck, she introduces it in the computer and    begins to download files.
While she is doing this, another woman enters the room, Nata doesn\\\'t see her because she is behind her. This   woman has a gun and she aims Nata.
Nata finishes her downloading and leans down to take the flashdrive in the same moment the other woman shoots,missing her by inches.
Nata takes her gun and turning shoots to the woman, hitting her in the gut.
The woman cries and takes a step backwards, Nata very slowly aims again and shoots the woman, this time
 hitting her in the middle of her breasts.
The woman is scared and badly wounded but she tries to raise her gun to shoot Nata. Nata fires again and her 
 bullet goes thru the girl\\\'s right breast. The girl moans and falls to the floor.
The girl lies on the floor, she is in agony and moves accordingly. Nata comes where she is and kicks the gun that     is still in her hand, then she shoots her right thru her heart. The girl shudders and dies.
Nata watches the dead girl with anger and then she shoots 3 more times to the dead body, then takes the    flashdrive and hangs it to her neck again leaving the scene.
Another woman is in an office sat at a desk. We see that she looks with      surprise to the door of the office where she is.
Nata enters very angry and shouts to the woman: \\\"You set me up\\\", \\\"You told me there was no problem and I   almost get killed\\\"
We can see an open drawer in the desk where a pistol is kept, very slowly the woman takes the gun and says to     Nata \\\"I\\\'m very sorry.\\\" Suddenly she takes the gun out and shoots Nata in her left breast.
Nata\\\'s face is a mixture of surprise and pain, she tries to reach for her breast, but she dies and falls to the floor.
The woman stands up and goes to see what happened. Nata lies on her back, her eyes and mouth slightly open     and her black hair extended like a fan on the floor. The flash drive is still tied to her neck and resting between her    breasts.
The woman kneels and takes Nata\\\'s right hand that is lying on her stomach letting it to fall to the floor, then she      unzipps Nata\\\'s dress exposing her beautiful breasts. An ugly wound can be seen on her left breast very close to      her nipple. 
The woman puts her gun on the floor and caresses Nata\\\'s right breast, then she raises Nata\\\'s head in order to  pull out the flash drive from her neck, then she caresses her face closing her eyes and kisses her (could be on  the forehead, the cheek or the mouth) and she says again \\\"I\\\'m very sorry\\\"  She raises and leaves the room.  KILLER FOR ASSASSIN
    11 minutes
      KILLER FOR ASSASSIN - KILLER FOR ASSASIN 8

CUSTOM

CAST: Judi and Max

Fetish Elements:

Femme Fatale, Femdom, Fem Dom, Female Killer, Girl kills a Man, Fighting between girl and a man, A Man has erection before death, Girl Beats a man, a Man begs for his life, Girl shoots a man, Headshots, Full Nudity

 

PLOT

A killer was sent to eliminate sexy Judi. But she is not so simple to be killed. She looks like sexy and weak woman but it only looks so, In real she is very smart strong and well experienced assassin. She knocks him down and bondages to the chair.

When he is helpless he's still exited by her sexy nude body and he feel erection. She just beats him and puts her leg to his eggs to make him great pain. After her phone conversation with a boss and his begging for his life she just takes a gun and shoots him three times to his head. Shot!

 

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KILLER FOR ASSASIN 1-7

JUDI KILLS
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    Welcome To The Crime House Studio on Kinky Clips
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

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